Posts mit dem Label S950 werden angezeigt. Alle Posts anzeigen
Posts mit dem Label S950 werden angezeigt. Alle Posts anzeigen

Donnerstag, 31. Juli 2014

Akai S950 Tips and Tricks

 
 
 
The Akai S950 is known for its rich, powerful, warm, dirty sound that makes him even today still a popular studio tool. Apparently the same AD converters have been installed as the 60th. MPC Many producers tell him also: "It sounds like old vinyl. Who knows Premo's, or Pete Rock's drum samples and may (especially the hi hats and snares) will understand what is meant. Many hip-hop and R & B producers use it in connection with an SP 12 / 1200 allude to a longer able to sample. I use it for example together with my S1100 and my MPC 2000XL or Cubase as sequencer.
 
The S950 is the advanced version of S 900 and also works with 12-bit technology, but has a higher sampling frequency of up to 48 kHz and more memory Ram. By default, the S 950 750 kbytes of RAM, which can be "upgraded" to up to 2.25 MB's (installation of up to two EXM 006). The built-in 3.5 "floppy drive handles both DD and HD floppies. In addition to this, another IB-105 are incorporated Atari disk interface that the connection of a 60 MB SCSI 1 hard drive. Like his predecessors, he also has The indispensable for studio use eight individual outputs. An editing options are available in the S 950 is a low-pass filter, two envelope generators and an LFO acting on the pitch ready. The display offers two times 40 characters. The rack unit (3U) also impresses with its load-While - Play feature, which plays while the S950, new sounds can be loaded again, if the total RAM memory is not consumed. Because of the individual outputs of the S is 950 particularly popular as a drum sampler. As the S700, so also has the S950, the voice-out jack to connect there, such as an Akai VX 90 or another synthesizer to influence the samples of the finishing options.
 
The S950 was the first Akai sampler to implement time stretching, enabling you to alter sample length without altering pitch. Considering the S950's continued popularity as a drum-loop sampler, that capability proved crucial to its success. If you stray too far from the original sample length, recordings begin to sound a little metallic and artificial, which might be the result you're aiming for.
 
A vast range of Akai and third-party sounds are available for the S950. Impressively, the S950 is downwardly compatible with S900 disks and upwardly compatible with S1000 disks. Although the S950 converts the S1000's 16-bit data to 12 bits and stereo to mono, most samples transfer extremely well.
 
Produced: 1988-93
 
Made in: Japan
Designed by: Dave Cockerell, H. Takemura
Number produced: 15,000
System: 12-bit linear sampling
Price new: $2,500
 
Files:
 
 
Tools:
 
 
Tutorial for EMXP and Awave Studio
1. Install OmniFlop Drivers
2. Create programm with samples, and save as S1100 programm
4. You can use MPCEditor, or directly Awave Studio to create a programm
3. Rename files - p to akp and s to aks (Joe is a nice tool for renaming files)
4. Copy files to S1100 folder
5. Start EMXP foramt your floppy and copy files to you disk
 

 

Mittwoch, 12. September 2012

AKAI S900/950 Mods

Some usefull modifications for tha AKAI S900/950 samplers.

1. Display



The original display is an ELD, which stands for electroluminescent display. Years ago these old displays losing luminance and need to be replaced.
The normal way is to replace the EL foil, but you will have the same problems maybe in a few years. Better build in a cheap 40x2 character LED LCD with great contrast and luminance.





2. Floppy


We all know the problems with floppy disks and data transfers. The other modification is to build in a floppy drive emulator. its an own unit with a software programm. The S950 thinks he got a build in floppy drive but you can store your samples on a 2GB sd card or usb stick. You need to create partitions in the size of the floppy disk 1,44 MB for HD and 740KB DD.
The most famous emulator is the hxc, you can google it. Its tested and working fine for the AKAI s950 with a price around 110 Euros. There is another emulator for usb devices, but it's only tested for the MPC60 in the 740KB Version. The price is around 40 Euros.

3. Memory


Memory for the S900/950 is really hard to find and if you found someone selling it he want hundred of dollars for a few "used" kilobyte.
The Mutec Memorys are in same quality than AKAI and workin fine. Years ago I bought Mutec memmory  for my S1100 and I never got any problems with em.
Price for the 750 KB Memory Expansion Card is 90 Euros.
http://www.masterbits.de/exp_d.htm

Last but not least I want tell you some reasons for using the old AKAI sampler. It sounds musically and has its own type of crispy and warm 12bit sound.
The S950 got a true analoge switched capacitor filter with 36dB transition steepness per octave. No ressonance or realtime modulation but an own envelope and dynamically controlled by the keyboard velocity.
For every 8 voice there is an own converter chip with serveral clock and VCA amplifier, which is the reason for great pressure like the old Roland synthesizers. If u want change the pitch of the sample, the clockrate and rate of the memory will be changed. It's like an turntable, when changing the speed of a vynil. Only a few samplers of the early 80's runing this enormous effort. It's just a great piece of engineering art and a great instrument which still has it's place in a modern studio.


Watch out for my next post, I will describe my modifications for the AKAI MPC 2000XL.