MPC Renaissance with MPC 2 Software

MPC Renaissance

I really like the combination of MPC Renaissance hardware with the MPC 2 software DAW.

During the last updates it has become so much flexibility and still the feeling of a hardware mpc with the awsome pads and knobs. I always loved the 3000er design and the hardware of the Renaissance is feeling pretty solid and high quality.

The original software was really limited and more like a pc version of the orignal mpc os.

With the new MPC DAW you get all the flexibilty of VST's, MIDI and Audio routing what we need in modern production enviroments. For example normally I'm using the MPC Renaissance audio interface with 4 outputs (2x Stereo) routing into my hardware mixer for using some external equipment. If I need more then 4 outputs, I can swap the audio interface for my motu (+3 adats + daisychain) and now I got 40 analog outputs! How amazing is that? You can stay also "ITB" and using software plug-ins as well. 

You got 4 MIDI In and Outs and I connected my Akai Samplers S950, S1100 and S3000. For me the timing is really great. And you can simultaneously use all Midi Interfaces. I remember it was not working at some older releases but they fixed that in an update.

I need to say, not everything is perfect and there are still some small bugs with the DAW and some VST's but it's not a big deal. I dont like there is no usefull metering for the mixer and you need take care about audio levels.

Some things are really confusing and maybe different than in other DAW's. So I want show you here some tipps. 

1.  Recording Audio

Recording audio was really confusing for me! If you got many inputs it's even more confusing. For the case you are using a motu or any other interface with 2 mic preamps, we need to care about that input 1/2 are not the line inputs 1/2 of our interface. They are the mic preamp inputs! So analog 1/2 input of my motu is input 3/4 in the software. 😏

 · Create audio track

· Select input: 3 /4 is analog 1 /2

    S/PDIF 1-2 is 11/12 (for my interface)

· Go to track and click red dot

· Record

 

 2. MPC Expansion Content

The content is stored in C:\ProgramData\Akai\MPC\Content

Now we manually copy the content to another location.

Edit the file TheBank.txt in C:\ProgramData\Akai\MPC\TheBank

You delete the path C:/ProgramData/Akai/MPC/Content/TheBank/Samples

And type in your new one:

 H:/Audio Programm Data/Akai/MPC/Content/TheBank/Samples

 Important use the Slash “/” not a backslash “\” and at the end of the path “/Samples”

Otherwise it won’t work!

 

 

  

 

 

 

 

 

Using an Akai S3000 today

Music is always a feeling, and things which feel good we like. Akais have ever been a dinosaur of another time and today they seem a bit nostalgic. Creating and storing sampling librarys are a lot of work and takes time. But especially in times like now for me it is more important to get an indivudal sound, cause never else than today was so cheap and easy producing music. These old Akais can give your production a special flavour.

What I really like on the S3000 is the build quality, the XLR Outs and that it sound equal to a MPC30000.  Hihats can shine and sound really amazing fired out of an S3000. Some users describe the Akai S3000 sounds like studio standard chrystal clear, but there are some differences in the higher frequencies. For me it’s like a little saturation and high freq. cut. A drum mix from a S3000 sounds even little compressed. The sharpnes of the hihats can be enorm reduced, kicks and snares have the right punch. I enjoy using the S3000 with external gear like my Alesis 3630 compressor, Soundcraft eq + Ghost preamp and some outboard reverbs from Alesis and Lexicon. It is a very easy routing with a hardware sampler and the worklow is also fast and more creative for me than ITB. It is a totally different workflow producing and aranging a track what makes the main difference. Indeed the S3000 original (non XL) sound is as thick as the MPC3000, because it has he same converter.

 For drum sequencing I am using my MPC Renessaince which is a great combination for hardware samplers. The timing is absolutly stable and the swing got the typical AKAI mojo. For me the best mix of a modern DAW and pad programming.

Technical

The internal data processing of the S3000 takes place with 28 bits. As a sampling rate 44.1 and 22.05 kHz are available, the lower rate is initially intended for corresponding recording material below 10 kHz. However, also to save space, because at 44.1 kHz, there are just 11.14 seconds recording capacity for stereo samples and 22.05 at mono. The cause of the shortage: The factory only 2 MB RAM are installed, which can be expanded with up to a maximum of 32 MB. 3 minutes of stereo sampling in and almost 12 minutes if it is 22.05 kHz and mono. Which explains why the AKAI samplers were used in their heyday for dance and techno productions to manage longer vocal recordings than samples. With the resample option you can also transform your existing data into other sampling rates. The S3000 manages up to 255 individual samples. For the sound shaping itself is a Synthesizer Engine ready, whose parameter set is manageable, but which serves well for most purposes. In particular, fine-tuning of instruments of all kinds can be done with it, for which there is a digital 12 dB / octave filter that can even a little resonance. It continues with two envelope generators, one regularly used for volume and the other for filters. The display is alpha-numeric and graphical, which makes the often somewhat laborious setting in sample editing comfortable.

Upgrades

Usefull upgrages are new EL foile, or a LED display.

For storing your samples a usb /sd floppy emulator makes sense. I only updated my s3000 with a SCSI card for using my Iomega zip. Also Interesting if you got a SCSI CD Rom, loading some Multisample libraries in the Akai.

Additional

The OS v2.0 upgrade primarily focuses on resolving issues caused by Akai’s previously poor non-compliant implementation of the SCSI protocol in its system code. This is especially important for users out there that wish to use their S3000 with MESA II as well as Recycle 2.0.

You can upgrade to OS v2.0 via system boot floppy or image from card reader / zip and with a new system Rom available from ebay.

Ram

You can max the ram with 32MB. These days its very hard to find some single boards. If you are lucky you can get some mutec dmc-08 boards with 8MB. While you are using the S3000 for some simple drums its nor important to maximize the ram.

Specs

Polyphony - 32 voice

Sampler - 16 Bit, 44.1 or 22.05 kHz, 8MB to 32MB, capacity up to 255 samples

LFO - (2) LFOs

Filter - Digital moving low-pass filter (-12 dB/octave with resonance); Optional upgrade to Digital moving hi-/band-/low-pass filter (-12 dB/octave with resonance) for 3200 models.

VCA - (2) Digital Envelope Generators

Effects - 50 effects (Echo, Delay, Chorus, Pitch Shift, Reverb)

Storage - S3000: 3.5-inch 2HD/2DD floppy disk; Hard Disk Recording (optional via) IB-304F 2nd LSI board; 3.5-inch hard disk (optional) internally mountable; SCSI (optional via) IB-301S SCSI board.
S3000XL: 3.5-inch 2HD/2DD floppy disk; Hard Disk Recording Provided; 3.5-inch hard disk (optional) internally mountable; SCSI provided.
internally mountable; 3.5-inch MO disk drive (optional) internally mountable; SCSI provided.
internally mountable; 3.5-inch MO disk drive (optional) internally mountable; SCSI provided.

Control - S3000: MIDI; Optional IB-302D AES/EBU Digital In/Out interface; Optional IB-303T SMPTE Reader/Generator board.

Date Produced - 1996