The Akai S950 is known for its rich, powerful, warm, dirty sound that makes him even today still a popular studio tool. Apparently the same AD converters have been installed as the 60th. MPC Many producers tell him also: "It sounds like old vinyl. Who knows Premo's, or Pete Rock's drum samples and may (especially the hi hats and snares) will understand what is meant. Many hip-hop and R & B producers use it in connection with an SP 12 / 1200 allude to a longer able to sample. I use it for example together with my S1100 and my MPC 2000XL or Cubase as sequencer.
The S950 is the advanced version of S 900 and also works with 12-bit technology, but has a higher sampling frequency of up to 48 kHz and more memory Ram. By default, the S 950 750 kbytes of RAM, which can be "upgraded" to up to 2.25 MB's (installation of up to two EXM 006). The built-in 3.5 "floppy drive handles both DD and HD floppies. In addition to this, another IB-105 are incorporated Atari disk interface that the connection of a 60 MB SCSI 1 hard drive. Like his predecessors, he also has The indispensable for studio use eight individual outputs. An editing options are available in the S 950 is a low-pass filter, two envelope generators and an LFO acting on the pitch ready. The display offers two times 40 characters. The rack unit (3U) also impresses with its load-While - Play feature, which plays while the S950, new sounds can be loaded again, if the total RAM memory is not consumed. Because of the individual outputs of the S is 950 particularly popular as a drum sampler. As the S700, so also has the S950, the voice-out jack to connect there, such as an Akai VX 90 or another synthesizer to influence the samples of the finishing options.
The S950 was the first Akai sampler to implement time stretching, enabling you to alter sample length without altering pitch. Considering the S950's continued popularity as a drum-loop sampler, that capability proved crucial to its success. If you stray too far from the original sample length, recordings begin to sound a little metallic and artificial, which might be the result you're aiming for.
A vast range of Akai and third-party sounds are available for the S950. Impressively, the S950 is downwardly compatible with S900 disks and upwardly compatible with S1000 disks. Although the S950 converts the S1000's 16-bit data to 12 bits and stereo to mono, most samples transfer extremely well.
The S950 was the first Akai sampler to implement time stretching, enabling you to alter sample length without altering pitch. Considering the S950's continued popularity as a drum-loop sampler, that capability proved crucial to its success. If you stray too far from the original sample length, recordings begin to sound a little metallic and artificial, which might be the result you're aiming for.
A vast range of Akai and third-party sounds are available for the S950. Impressively, the S950 is downwardly compatible with S900 disks and upwardly compatible with S1000 disks. Although the S950 converts the S1000's 16-bit data to 12 bits and stereo to mono, most samples transfer extremely well.
Produced: 1988-93
Made in: Japan
Designed by: Dave Cockerell, H. Takemura
Number produced: 15,000
System: 12-bit linear sampling
Price new: $2,500
Files:
Tools:
Tutorial for EMXP and Awave Studio
1. Install OmniFlop Drivers
2. Create programm with samples, and save as S1100 programm
4. You can use MPCEditor, or directly Awave Studio to create a programm
4. You can use MPCEditor, or directly Awave Studio to create a programm
3. Rename files - p to akp and s to aks (Joe is a nice tool for renaming files)
4. Copy files to S1100 folder
5. Start EMXP foramt your floppy and copy files to you disk
